In the following text, I ppropose a respiratory cartography created with three sections
lines: the first building a methodological way with theoretical support in Deleuze-Guattari as
perspective to the second section, which is the expression in fragments of memory, a sacred
ritual on the construction process of the show Três, the band of independent actors, exercising
Teatro da Fragilidade. In the last section, I present the mysteries that make theater, which
differ form principles because the Teatro da Fragilidade is not connected to a source, a layer
that understands and explains, but a theatrical doing more likely a body without organs, touted
by of artists.
The methodological path was not constructed, the path takes paired with me, - path
and walker mix if shuffle – memory, a sacred ritual Mnemosyne, for the expression of the
show Três construction process.
The relevance from of the research is to report and understand the mysteries of Teatro
da Fragilidade from band rehearsals processes of independent actors, to build a show, and
nominat that doing theater in the city of Belém, Pará, Brazil, from the application of the
concepts of rhizome of Deleuze-Guattari a linking of dissertation writing whith a rhizomatic
writing.
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