This dissertation analyzes the indigenous presence in the Liberal TV telejournalism, a TV broadcasting company sited in Belém, capital of Pará, a Globo TV’s affiliated, which is one of the largest audiences in the country. Four materialities will be reviewed, three (03) reports
and one (01) broadcaster Institutional Vignette, aired between April 2012 and December 2014. This period was cut from three very significant events for the indigenous people living in the state of Pará: the accomplishment of the Indigenous Games editions in the State ,
the work involving Belo Monte construction and the conflict between Tembé and settlers in Indigenous Land High Rio Guama. Since the beginning of television programming in Brazil in 1950, the TV news began to establish itself as a significant opinion leader among
Brazilians. However, they are not homogeneous, because they are intrinsically associated with the political and / or economic groups which they are linked to. The Television, as a significant identities production device, ie an instrument of power and knowledge circulation
control, works in order to sort the speeches, from different perspectives and the telejournalism is linked to the Reality Translation idea, which represents the no fiction. We will analyze the Liberal TV telejournalism, taking as perspective the description within the multifaceted and complex Amazonian universe. We will pursue to observe their discursive
practices, their regularities movements and dispersions and the historical subjects’ memories networks that put outstanding speeches committed to the colonial system and its updates. We will take the indigenous body, presented in the Liberal TV newspapers as a central object of our analysis. In this regard, we will consider the indigenous body as a main visual statement of the reports and inter-iconicity processes that are established (COURTINE, 2011). The concepts of discontinuous and event, formulated by Foucault (2014) will also be delineators of our analytical course. This indigenous body, as the news, presented on TV screens, is interwoven with the conditions of historical possibilities of who produced the TV news and seeks to forge a "reality" on indigenous peoples in an audiovisual materiality associated with
truth in a regular history, which mutes the knowledge or when they appear, repeatedly resume established memories from the colonial discourse, even in the sixteenth century, who rose through literature or travel iconography full of moral and philosophical developments in
different materiality as letters, internal reports or descriptions of an ideal figure to society at that time. In surveys with local TV news, the discursive functioning, very recurrently updates this colonial memory about the Indians. Therefore, we wish to work with that part of the
academic debate on television news, once the study of its kind, based on an Amazon perspective is still something unexplored
|
