Dança, identidade, universalidade: as danças circulares no grupo Mana-Maní, em Belém, Brasil
The article takes an ethnographic approach over circular dances developed by Mana Mani, a cultural group from Belém (Brazil). We want to discuss how the circular dances, a booming cultural practice in contemporary societies, contribute to the formation of identity. We discuss, particularly, the pr...
| Autor principal: | CASTRO, Fábio Fonseca de |
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| Outros Autores: | COSTA, Lucivaldo Baía |
| Grau: | Artigo |
| Idioma: | por |
| Publicado em: |
Universidade Caxias do Sul
2022
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br:8080/jspui/handle/2011/14753 |
| Resumo: |
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The article takes an ethnographic approach over circular dances developed by Mana Mani, a cultural group from Belém (Brazil). We want to discuss how the circular
dances, a booming cultural practice in contemporary societies, contribute to the
formation of identity. We discuss, particularly, the production of the empathic social
bond as a factor for the constitution of political and ethical references in the
identitarian typification process. Accordingly, we look into how the proposed merger
between universal and local is inserted among the contemporary cultural practices
on hybrid cosmopolitan senses. We also seek to discuss how traditional dances
and musicality of traditional Amazonian populations are appropriated by the group
and become communal ideals and values and how they produce political and ethical
directions and meanings to the to the local, in his dialogue with the universal. |