Dissertação

Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara

This study focuses on the images of melancholy that emerge in the context of coloniality in two of its Brazilian expressions: indigenous and Amazonian sadness. The so-called peripheral sadnesses are represented by the books Metade cara, metade máscara (2004), by Eliane Potiguara, and Repertório S...

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Autor principal: SENA, Mayara Haydée Lima
Grau: Dissertação
Idioma: por
Publicado em: Universidade Federal do Pará 2025
Assuntos:
Acesso em linha: https://repositorio.ufpa.br/jspui/handle/2011/17090
id ir-2011-17090
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spelling ir-2011-170902025-03-24T21:16:42Z Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara SENA, Mayara Haydée Lima GUIMARÃES, Mayara Ribeiro http://lattes.cnpq.br/6834076554286321 Melancolia Colonialidade Literatura indígena - Amazônia Melancholy Coloniality Indigenous literature - Amazon CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA LITERATURA, INTERPRETAÇÃO, CIRCULAÇÃO E RECEPÇÃO ESTUDOS LITERÁRIOS This study focuses on the images of melancholy that emerge in the context of coloniality in two of its Brazilian expressions: indigenous and Amazonian sadness. The so-called peripheral sadnesses are represented by the books Metade cara, metade máscara (2004), by Eliane Potiguara, and Repertório Selvagem (1998), by Olga Savary, which make up the corpus of this research. The aim is to identify allegorized melancholy as a fundamental theme in the poetics of Eliane Potiguara's Metade cara, metade máscara and Olga Savary's Repertório selvagem. Furthermore, the specific objectives are to discuss some relationships between the coloniality of knowledge and the silencing of peripheral, non-canonical, Brazilian and Amazonian sadness; to identify indigenous melancholy, metonymized in Eliane Potiguara's work; and to investigate images of melancholy in the shadow of the Amazonian forest in Olga Savary's book. The work recalls canonical authors of studies on melancholy, such as Sigmund Freud (2013), Julia Kristeva (1989), Giorgio Agamben (2007), Susan Sontag (2022), Jean Starobinski (2016), Susana Kampff Lages (2007), Luiz Costa Lima (2017), Maria Rita Kehl (2015), among others; dialogues with the decolonial perspective of thinkers such as Aníbal Quijano (2005), Enrique Dussel (2005), Walter Mignolo (2017), María Lugones (2014); with scholars of Amazonian issues, such as Neide Gondim (1994), Ana Pizarro (2012),Carlos Walter Porto Gonçalves (2023), Eidorfe Moreira (1958) and João de Jesus Paes Loureiro (2001); and with indigenous thinkers such as Graça Graúna (2013), Trudruá Dorrico (2017), Davi Kopenawa (2015), Jaider Esbell (2020), Ely Makuxi (2018), Ailton Krenak (2022), Olívio Jekupé (2019), Daniel Munduruku (2012), among others. Thus, there is a need for a more specific debate on the Brazilian experience of malaise, which is crossed by coloniality and therefore differs from Eurocentric understandings of sadness and its literary representations. In this sense, based on the interpretative path of the poems, it is recognized that the indigenous literature of Eliane Potiguara and the omnipresence of the Amazon rainforest in the work of Olga Savary, place other characters and territories in the repertoire of melancholy studies in contemporary times, outside the hegemonic melancholy of large European cities. The authors' poetic contributions are fundamental to making peripheral sadness visible, creating a counter-narrative that challenges the coloniality of knowledge about melancholy. In Savary's poetics, the Amazons, in terms of their phytogeographic concept (MOREIRA, 1958), are inscribed under the sign of loss; as well as in Eliane Potiguara's poetic testimony, it is revealed that coloniality cannot be thought of without the reign of sadness. Este estudo centra-se nas imagens da melancolia que emergem no contexto de colonialidade em duas de suas expressões brasileiras: as tristezas indígenas e as amazônicas. As chamadas tristezas periféricas são representadas pelos livros Metade cara, metade máscara (2004), de Eliane Potiguara, e Repertório Selvagem (1998), de Olga Savary, que compõem o corpus desta pesquisa. Dessa forma, objetiva-se identificar a melancolia alegorizada como tema fundamental das poéticas de Metade cara, metade máscara, de Eliane Potiguara, e de Repertório Selvagem, de Olga Savary. Outrossim, como objetivos específicos, anseia-se discutir algumas relações entre colonialidade do saber e o silenciamento das tristezas periféricas, não canônicas, brasileiras e amazônicas; identificar a melancolia indígena, metonimizada na obra de Eliane Potiguara; além de investigar imagens da melancolia à sombra da floresta amazônica no livro de Olga Savary. O trabalho recupera autores canônicos dos estudos sobre a melancolia, como Sigmund Freud (2013), Julia Kristeva (1989), Giorgio Agamben (2007), Susan Sontag (2022), Jean Starobinski (2016), Susana Kampff Lages (2007), Luiz Costa Lima (2017), Maria Rita Kehl (2015), entre outros; dialoga com a perspectiva decolonial de pensadores como Aníbal Quijano (2005), Enrique Dussel (2005), Walter Mignolo (2017), María Lugones (2014); com estudiosos das questões amazônicas, como Neide Gondim (1994), Ana Pizarro (2012), Carlos Walter Porto Gonçalves (2023), Eidorfe Moreira (1958) e João de Jesus Paes Loureiro (2001); e com pensadores indígenas como Graça Graúna (2013), Trudruá Dorrico (2017), Davi Kopenawa (2015), Jaider Esbell (2020), Ely Makuxi (2018), Ailton Krenak (2022), Olívio Jekupé (2019), Daniel Munduruku (2012), entre outros. Assim, constata-se a necessidade de um debate mais específico sobre a experiência brasileira do mal-estar, atravessado pela colonialidade e que, portanto, distingue-se das compreensões eurocentradas da tristeza e suas representações literárias. Nesse sentido, a partir do percurso interpretativo dos poemas, reconhece-se que a literatura indígena de Eliane Potiguara e a onipresença da floresta amazônica, na obra de Olga Savary, colocam outros personagens e territórios no repertório dos estudos da melancolia na contemporaneidade, fora da hegemônica melancolia das grandes cidades europeias. As contribuições poéticas das autoras são fundamentais para a visibilização das tristezas periféricas, criando uma contranarrativa que desafia a colonialidade do saber sobre a melancolia. Na poética de Savary, as Amazônias, no que tange ao seu conceito fitogeográfico (MOREIRA, 1958), são inscritas sob o signo da perda; bem como, no testemunho poético de Eliane Potiguara, revela-se que não se pode pensar a colonialidade sem o reinado da tristeza. 2025-03-24T21:00:01Z 2025-03-24T21:00:01Z 2023-12-22 Dissertação SENA, Mayara Haydée Lima. Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara. Orientadora: Mayara Ribeiro Guimarães. 2023. 105 f. Dissertação (Mestrado em Letras) - Instituto de Letras e Comunicação, Universidade Federal do Pará, Belém, 2024. Disponível em: https://repositorio.ufpa.br/jspui/handle/2011/17090. Acesso em: . https://repositorio.ufpa.br/jspui/handle/2011/17090 por Acesso Aberto Attribution-NonCommercial-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nc-nd/3.0/br/ application/pdf Universidade Federal do Pará Brasil Instituto de Letras e Comunicação UFPA Programa de Pós-Graduação em Letras Disponível na internet via correio eletrônico: bibletras@ufpa.br
institution Repositório Institucional - Universidade Federal do Pará
collection RI-UFPA
language por
topic Melancolia
Colonialidade
Literatura indígena - Amazônia
Melancholy
Coloniality
Indigenous literature - Amazon
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
LITERATURA, INTERPRETAÇÃO, CIRCULAÇÃO E RECEPÇÃO
ESTUDOS LITERÁRIOS
spellingShingle Melancolia
Colonialidade
Literatura indígena - Amazônia
Melancholy
Coloniality
Indigenous literature - Amazon
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
LITERATURA, INTERPRETAÇÃO, CIRCULAÇÃO E RECEPÇÃO
ESTUDOS LITERÁRIOS
SENA, Mayara Haydée Lima
Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
topic_facet Melancolia
Colonialidade
Literatura indígena - Amazônia
Melancholy
Coloniality
Indigenous literature - Amazon
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
LITERATURA, INTERPRETAÇÃO, CIRCULAÇÃO E RECEPÇÃO
ESTUDOS LITERÁRIOS
description This study focuses on the images of melancholy that emerge in the context of coloniality in two of its Brazilian expressions: indigenous and Amazonian sadness. The so-called peripheral sadnesses are represented by the books Metade cara, metade máscara (2004), by Eliane Potiguara, and Repertório Selvagem (1998), by Olga Savary, which make up the corpus of this research. The aim is to identify allegorized melancholy as a fundamental theme in the poetics of Eliane Potiguara's Metade cara, metade máscara and Olga Savary's Repertório selvagem. Furthermore, the specific objectives are to discuss some relationships between the coloniality of knowledge and the silencing of peripheral, non-canonical, Brazilian and Amazonian sadness; to identify indigenous melancholy, metonymized in Eliane Potiguara's work; and to investigate images of melancholy in the shadow of the Amazonian forest in Olga Savary's book. The work recalls canonical authors of studies on melancholy, such as Sigmund Freud (2013), Julia Kristeva (1989), Giorgio Agamben (2007), Susan Sontag (2022), Jean Starobinski (2016), Susana Kampff Lages (2007), Luiz Costa Lima (2017), Maria Rita Kehl (2015), among others; dialogues with the decolonial perspective of thinkers such as Aníbal Quijano (2005), Enrique Dussel (2005), Walter Mignolo (2017), María Lugones (2014); with scholars of Amazonian issues, such as Neide Gondim (1994), Ana Pizarro (2012),Carlos Walter Porto Gonçalves (2023), Eidorfe Moreira (1958) and João de Jesus Paes Loureiro (2001); and with indigenous thinkers such as Graça Graúna (2013), Trudruá Dorrico (2017), Davi Kopenawa (2015), Jaider Esbell (2020), Ely Makuxi (2018), Ailton Krenak (2022), Olívio Jekupé (2019), Daniel Munduruku (2012), among others. Thus, there is a need for a more specific debate on the Brazilian experience of malaise, which is crossed by coloniality and therefore differs from Eurocentric understandings of sadness and its literary representations. In this sense, based on the interpretative path of the poems, it is recognized that the indigenous literature of Eliane Potiguara and the omnipresence of the Amazon rainforest in the work of Olga Savary, place other characters and territories in the repertoire of melancholy studies in contemporary times, outside the hegemonic melancholy of large European cities. The authors' poetic contributions are fundamental to making peripheral sadness visible, creating a counter-narrative that challenges the coloniality of knowledge about melancholy. In Savary's poetics, the Amazons, in terms of their phytogeographic concept (MOREIRA, 1958), are inscribed under the sign of loss; as well as in Eliane Potiguara's poetic testimony, it is revealed that coloniality cannot be thought of without the reign of sadness.
author_additional GUIMARÃES, Mayara Ribeiro
author_additionalStr GUIMARÃES, Mayara Ribeiro
format Dissertação
author SENA, Mayara Haydée Lima
title Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
title_short Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
title_full Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
title_fullStr Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
title_full_unstemmed Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
title_sort melancolia em repertório selvagem, de olga savary, e metade cara, metade máscara, de eliane potiguara
publisher Universidade Federal do Pará
publishDate 2025
url https://repositorio.ufpa.br/jspui/handle/2011/17090
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score 11.755432