Ananse, the metamorphosis in spider of Goddess Aranã, coming from fanthi-ashanti culture,
of Benin Region, in East Africa, is shown, in this paper, as the symbol metaphor of the
resistance actions carried out by the Africans and their descendents in the American continent,
particularly in Brazil. This way, it presents an ethnographic report of the saga of Goddess
Aranã’s heirs in their fight against racism. The structure of that narrative is alike to a Theater
Auto in which the antagonist character is the Racism, and the protagonist is Ananse’s heirs.
The composition of that narrative starts with the assumption that the several cultures brought
by the protagonist had a crucial importance in encouraging the African and their heirs’ fight,
face to the wit of an antagonist capable of wearing, in time and space, many persons (masks)
to confuse and weaken the protagonist speeches. However, the protagonist is also very smart
in weaving his webs. Upon elaborating that narrative, the webs created by that character are
recovered in order to insert, in the official Brazilian agenda the recognition of the existence of
racism and racial discrimination in the society, and the state affirmative action policies,
mainly, the use of the quota system to Negroes at the University. The fight is a narrative with
epic characteristics which favors the role of string/action Negro movement.
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