This works means an exercise of reading of the brazilian writing João Gilberto Noll
literary narrative, promoting an approach of this books to the image-time concept Gilles
Deleuze, in the relationship of the narrative aspects and the discursive emptying,
silence, as important elements in the artistic production and tendency of modern arts.
The image-time concept of the french philosopher was building for thinking the modern
cinema, those create this-self in a image system that break the classic narrative, with the
perception based in a sensitive- motor scheme. In this works, in despite it, the concept is
thinking in relationship of the literary works of João Gilberto Noll, that approach with
the modern cinema and show us fragmented imaging tissue, tending to discursive
emptying. This works is an exercise of reading of the brazilian writing João Gilberto
Noll literary narrative, promoting an approach of his works to the time-image concept
Gilles Deleuze, in the relationship of the narrative aspects and the discursive emptying,
silence, as an important elements in the artistic production and tendency of modern art.
The time-image concept of the french philosopher was building for thinking the modern
cinema, those create this-self in a image system that break the classic narrative, break
the perception based in a sensitive- motor scheme. In this work, in despite it, the
concept is thinking in relationship of the literary works of João Gilberto Noll, that
approach with the modern cinema and show us fragmented imaging tissue, tending to
discursive emptying. So, taking as a point of reflection Noll's work, we discuss how
the time-image and silence compose the work of the writer. After presentation and
discussion of the concept of time-image and silence, we proceeded to a reading
of significant points in the fictional works of Noll, rehearsing a relationship
between cinema, literature and other arts in termsprimarily for the production
of images in a particular narrative form and also the implications of these forms of
thought. For reasons of economic strategy for the formation of a crop of
significant production of the writer, his works directly considered in this work are Hotel
Atlântico (1989) and O Quieto Animal da Esquina (1991). Thus, the intent
is (1) propose some ways for interpreting the work of Noll and (2) investigate how
themodern narrative production, especially the narrative next to the concept of timeimage,
composed of strong visual appeal, which makes the production of ambiguous
images, discontinuous narratives, characters wandering, tends to drain this discursive,
tends to the silence.
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