Sapurahái de Karuára: mitos, instrumentos musicais e canto entre os Suruí Aikewára
The traditional knowledge are connected through processes of learning based on the interaction between the human groups and the environment, involving experimentation, speculation and experience of its members that systemize a set of practical conceptions and in relation of intergenerational. The...
| Autor principal: | SILVA, Gilmar Matta da |
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| Grau: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Pará
2014
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br/jspui/handle/2011/5301 |
| Resumo: |
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The traditional knowledge are connected through processes of learning based on the interaction
between the human groups and the environment, involving experimentation, speculation and
experience of its members that systemize a set of practical conceptions and in relation of
intergenerational. The study was developed between the Suruí Aikewára, in the State of Pará, it
approaches the constitution of these relative practical knowledge and song connecting to the myths
and the processes of construction of the musical instruments, form the starting point of entrance for
the agreement of the indigenous cultural universe, defendants in the dance of Sapurahái and the rite
Karuára. |