Na seara das cousas indígenas: cerâmica marajoara, arte nacional e representação pictórica do índio no trânsito Belém - Rio de Janeiro (1871-1929)
In the last decades of the 19th century and the first decades of the 20th century, Marajoara pottery was used in order to meet different and specific purposes. From scientific object to the inspiration for Brazilian art, through the decorative applied art, to the Fine Arts, intellectuals and artists...
| Autor principal: | SILVA NETO, João Augusto da |
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| Grau: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Pará
2017
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| Acesso em linha: |
http://repositorio.ufpa.br/jspui/handle/2011/7212 |
| Resumo: |
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In the last decades of the 19th century and the first decades of the 20th century, Marajoara pottery was used in order to meet different and specific purposes. From scientific object to the inspiration for Brazilian art, through the decorative applied art, to the Fine Arts, intellectuals and artists built a range of ceramic legacy‟s meanings of the ancient Marajo Indians. In view of this, the present work on the trails of the appropriation of marajoara ceramics, taking into account the studies of Orville Derby, João Barbosa Rodrigues, Domingos Soares Ferreira Penna, Ladislau de Souza Mello Netto and Charles Frederick Hartt, as well as the trajectory of painters Theodoro Braga and Manoel Santiago. Further, the work also discusses the production of indigenous pictorial image made by these artists. |