The research aims to analyze the phylosophical term niilism in Nietzsche’s work, from its origin until its developments in the author’s mature thinking. Understanding the decadence process as a niilist, Nietzsche places Socrates as the first thinker of the decadence, that would be perpetuated until the modernity by cristianism, turning the slave type into the model man. We sketch the manner in which Nietzsche aims to overcome this man, by exceeding the values that cultivate him, looking for a healthier new physiopsychological state for the man. To this end, Nietzsche places the will for power at the center of the transvaluation, and the artists as the more capable of creating something, instead of degrade and submit themselves to the value given by the accepted moral. In modernity the bureaucracy receives emphasis in the public functionalism, what inspires Nietzsche to criticize it as another way of leveling and impoverishing life. Kafka then appears in our work as the synthesis of part that Nietzsche understood in his epoch, his diagnosis of the next two hundred years is illustrated through Kafka’s works, that characterize the man as the being sickened by the values which are impossible for him to live or to carry out. For this all the understanding of the artist’s physiology, according to Nietzsche, gives us a comprehension and interpretation of Kafka’s work for beyond its epoch.
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