This dissertation analyzes the musical scene of the city of Belém, Pará State, Amazon, Brazil, using the concept from Will Straw (1991). From this starting point the study make a sensitive and discursive approach of this scene, based on the phenomenology of Alfred Schutz (2012) and Michel Maffesoli (2001), considering its intersubjective spectrum between the actors of this phenomenon, its mediators and a "national" audience. Based on authors Jacques Derrida (1994), Fabio Castro (2011 ), Frédéric Martel ( 2012), Renato Ortiz (2006) and Marcel Mauss (2004 ) it analyzes the presence of a nativist phantasmagory that interferes on the sociability and the total economy of territorialized dynamic scene, with reflects on their media projection. Taking also based on the experience of the author and analyses of samples, products and materiality generated at this scene have studied on the period from the late 1960s until the 2000s. Introductorily discusses the phenomenology as a research methodology in the Amazon.
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