The film is one of the most influential arts in the representation of cultures. His discursive-visual power interferes on the imaginary about spaces of scholia and behaviors. The big screen build looks and reinvents them. This project aims to examine the imaginary in the documentary/fiction “Iracema, umatransamazônica(1974)”,it wishes to understand the stigmata film on the Amazon, illustrate them films in the “Florestas Esmeraldas (1985)”, “Lambada, a dançaproibida (1990)”,“Anaconda (1997)” and also in the national motion pictures “Taina, umaaventuranaAmazônia (2000)” and “Um lobisomemnaAmazônia (2005)” - especially in the correspondence between art/imagination. The studies of travelers' reports, theories of Gilbert Durand, NeideGondin, Ana Pizarro, Claude Lévi-Strauss, Edgar Morin, among others, will be the cornerstone to understand the invention, maintenance it and reinventing it over this stigmatized look.
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