This research, developed in the course of Master of Arts of PPGARTES / UFPA,
comprises the creative path of the author, artist-illuminator-researcher. The proposal deals
with the importance of stage lighting as a language and it goes through the restlessness
that starts from the author 's experiences as a dancer and ends in her artistic process as an
illuminator, observer and coparticipante of the scene, making a theoretical collection
about the expressive function, aesthetics identified in enlightenment and the performative
acts imbricated in the artistic making of the illuminator. The author proposes the outline
of a methodological device, in the meaning of a poetics as an art program, thus calling
the Poetics of the Elements from the association of elements in nature Water, earth, air,
fire and ether) with the theoretical contributions that support the study, namely: visibility,
by Calvin; By "thinking for images" with the archetypes of elements of nature proposed
by Bachelard and the ideology of Creative Path, by Sônia Rangel. The dissertation
presents as a proposition for the creation in scenic lighting, the strategy of this
methodological device, which is directly related to the operationalization of the creative
process, being pointed there the performance actions of artistic making, before the
performance of the scenic illuminator.
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