This research presents an approach on the loving subject in the work of Vinicius de Moraes focusing on the relationship between poetry and music. This dialectic in the work of Vinicius has as a synthesis life. Thus, the public poetry - word sung – of Vinicius associates in an inseparable way the life and the art. The main thesis of this study is the inconstancy as an important factor in the creation of Vinícius, because the arts, poetry and music, love search and melancholy, life and creation are interchangeable. For this research, the essays of Eucanaã Ferraz (1991), José Castelo (1991, 1994) were important. Segismundo Spina (1996), Giuliana Ragusa (2013), Massaud Moisés (1992) and others authors were used to think about the relationship between arts, poetry and music in history.
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