The aim of the present study was to promote an epistemological dialogue between Hip
Hop Culture and the Cabanagem movement, verifying if there are any characteristics
of Cabanagem in the Hip Hop dancers from Pará today. To this end, a bibliographic
review of books, articles, websites was carried out, as well as videos of digital platforms
and documentaries were consulted. A questionnaire consisting of 6 open questions
was also used, which were answered by 6 dancers and Hip Hop dancers from Belém
and Ananindeua by audio messages in a conversation apps. Considering each
demonstration according to the place, period and characteristics of the experienced
moment, from this study it was possible to understand that, these historically excluded
and marginalized peoples, in different times and places, made great demonstrations
in favor of their freedom and equality and against authoritarian powers, generating a
social and identity construction between them.
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