This study deals with a theoretical-practical research on the process of creation in
videodance in which I, as an artist of the scene, seek, based on the pandemic theme, to
analyze my own body in the midst of a sanitary crisis, while at the same time developing a
videodance that aims to show a hybrid body influenced by pandemics, in addition to trying to
answer the guiding question of how the creative process in dance is configured when I put
myself in front of the camera. Thus, I tried to dialogue in the light of theories of videodance,
the body and the creative process of renowned theorists such as Lobo and Navas (2008),
Ostrower (2008), Merleau-Ponty (1999) and others. This experience made me realize the
plasticity of the creative process and the bodily sensations that constantly dialogue with the
footage, inaugurating a new body, a new dance. I hope to contribute to the Physical Education
community through the understanding of corporeality and its relationship with technology, in
this case, the cell phone camera.
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