The work "O menino do sorriso sem boca: A Caixa-corpo: Uma dramaturgia de si" is an
intimate work, allowing the creation of a space for the manifestation of their desires. From
this understanding, it proposes the discovery of other dramaturgies contained in the artist's
own trajectories, thus allowing the construction of subversive poetic paths for both the
sensations and memories found there. For this, the postmodern ethnography proposed by
Fortin and Gosseling (2014) was used as the methodology, enabling the use of various
resources for creative processes, such as: autoethnography, creative writing, images, among
others, performing a subjective and pulsating knowledge for the journey. Thus, the result of
this process brings a brief artistic reflection of the concept built in the figure of the “Caixa-
Corpo”, materializing in a poetic phenomenon and representing the drawings of feeling in all
its non-logics, characteristics and forms.
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