Dissertação

Arte indígena : miçangas na cultura Ye'Kuana

This work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elemen...

ver descrição completa

Autor principal: Paes, Dayana Soares Araújo
Grau: Dissertação
Idioma: por
Publicado em: Universidade Federal de Roraima 2019
Assuntos:
Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
Acesso em linha: http://repositorio.ufrr.br:8080/jspui/handle/prefix/240
id oai:repositorio.ufrr.br:prefix-240
recordtype dspace
spelling oai:repositorio.ufrr.br:prefix-2402023-07-11T15:32:20Z Arte indígena : miçangas na cultura Ye'Kuana Indigenous art : beads in cultura Ye'kuana Paes, Dayana Soares Araújo Cavalcante, Olendina de Carvalho http://lattes.cnpq.br/2491620499449405 Arte indígena Ye'kuana Cultura Miçangas CNPQ::CIENCIAS HUMANAS This work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elements in the Ye'kuana art; investigate the technical processes used in the production of the pieces in beads; and to analyze the cultural importance that the artifacts in beads assume in the daily life of this people. To this end, we followed the making of beads in a workshop that lasted four days in the city of Boa Vista, with a family group Ye'kuana, where most of them are from the community of Kuratanha, when they were in the city and also when we accompany their experiences in events, fairs, or places that present their relations around the pieces in beads. When dealing with the production of pieces in beads as indigenous art Ye'kuana, we use as reference Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) and Els Lagrou (2010). Other authors that served as a subsidy for the research process were David M. Guss (1994, 1989), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2014), Carvalho Ferreira (2016) and Koch-Grünberg (1981). At the end, we can see that the artistic production with the beads evidences the culture and the ethnic identity of the Ye'kuana People. And, also that, besides some pieces in beads, the present symbols have an agentiv character. Este trabalho denominado de “ARTE INDÍGENA: MIÇANGAS NA CULTURA YE’KUANA”, tem por objetivo principal analisar a relevância cultural da produção da arte em miçanga para os Ye’kuana. Para isso, trazemos como objetivos específicos os seguintes pontos: identificar as representações presentes nos elementos iconográficos na arte Ye’kuana; investigar os processos técnicos empregados na produção das peças em miçanga; e analisar a importância cultural que os artefatos em miçanga assumem no cotidiano desse povo. Para isso, acompanhamos a confecção das peças em miçangas durante uma oficina que durou quatro dias na cidade de Boa Vista, com um grupo familiar Ye’kuana, onde sua maioria é da comunidade de Kuratanha, quando estes estavam na cidade e, também, quando acompanhamos suas vivências em eventos, feiras, ou lugares que estes apresentavam suas relações em torno das peças em miçanga. Ao tratar da produção de peças em miçanga como arte indígena Ye’kuana, utilizamos como referência Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) e Els Lagrou (2010). Outros autores que serviram de subsídio para o processo desta pesquisa foi David M. Guss (1994 [1989]), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2008), Viviane Rocha (2014), Carvalho Ferreira (2016) e Koch-Grünberg (1981). Ao fim, podemos constatar que a produção artística com as miçangas evidencia a cultura e a identidade étnica do Povo Ye’kuana. E, também que, além de algumas peças em miçanga, os símbolos presentes possuem um caráter agentivo. 2019-12-19T13:14:34Z 2019-12-19T13:14:34Z 2018 Dissertação PAES, Dayana Soares Araújo. Arte indígena: miçangas na cultura Ye'Kuana. 2018. 111f. Dissertação (Mestrado em Sociedade e Fronteiras) - Programa de Pós-Graduação em Sociedade e Fronteiras, Universidade Federal de Roraima, Boa Vista, 2018. http://repositorio.ufrr.br:8080/jspui/handle/prefix/240 por Acesso Aberto Attribution-NonCommercial-ShareAlike 3.0 Brazil http://creativecommons.org/licenses/by-nc-sa/3.0/br/ Universidade Federal de Roraima Brasil PRPPG - Pró-Reitoria de Pesquisa e Pós-Graduação PPGSOF - Programa de Pós-Graduação em Sociedade e Fronteiras UFRR
institution Repositório Institucional - Universidade Federa de Roraima - UFRR
collection DSpace
language por
topic Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
spellingShingle Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
Paes, Dayana Soares Araújo
Arte indígena : miçangas na cultura Ye'Kuana
topic_facet Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
description This work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elements in the Ye'kuana art; investigate the technical processes used in the production of the pieces in beads; and to analyze the cultural importance that the artifacts in beads assume in the daily life of this people. To this end, we followed the making of beads in a workshop that lasted four days in the city of Boa Vista, with a family group Ye'kuana, where most of them are from the community of Kuratanha, when they were in the city and also when we accompany their experiences in events, fairs, or places that present their relations around the pieces in beads. When dealing with the production of pieces in beads as indigenous art Ye'kuana, we use as reference Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) and Els Lagrou (2010). Other authors that served as a subsidy for the research process were David M. Guss (1994, 1989), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2014), Carvalho Ferreira (2016) and Koch-Grünberg (1981). At the end, we can see that the artistic production with the beads evidences the culture and the ethnic identity of the Ye'kuana People. And, also that, besides some pieces in beads, the present symbols have an agentiv character.
author_additional Cavalcante, Olendina de Carvalho
author_additionalStr Cavalcante, Olendina de Carvalho
format Dissertação
author Paes, Dayana Soares Araújo
title Arte indígena : miçangas na cultura Ye'Kuana
title_short Arte indígena : miçangas na cultura Ye'Kuana
title_full Arte indígena : miçangas na cultura Ye'Kuana
title_fullStr Arte indígena : miçangas na cultura Ye'Kuana
title_full_unstemmed Arte indígena : miçangas na cultura Ye'Kuana
title_sort arte indígena : miçangas na cultura ye'kuana
publisher Universidade Federal de Roraima
publishDate 2019
url http://repositorio.ufrr.br:8080/jspui/handle/prefix/240
_version_ 1787156579652468736
score 11.755432

Registros relacionados