Periódico

Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century

Autor principal: Melo, Ana Cláudia da Cruz
Outros Autores: Souza da Silva, Carmen Lucia, Gracio, Felipe Giuseppe de Albuquerque
Grau: Periódico
Idioma: por
Publicado em: Universidade Federal do Tocantins 2021
Acesso em linha: https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/12386
id ojs-article-12386
recordtype ojs
spelling ojs-article-123862021-10-01T18:24:15Z Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century Sala Odeon: Contribuciones a la historia del cine en la Amazonía - La recepción y la exhibición cinematográficas en los inicios del siglo XX Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century Sala Odeon: Contribuições para a História do Cinema na Amazônia - A recepção e a exibição cinematográficas no início do século XX Melo, Ana Cláudia da Cruz Souza da Silva, Carmen Lucia Gracio, Felipe Giuseppe de Albuquerque ABSTRACT. In this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality. ABSTRACT. In this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality. RESUMEN. En este artículo presentamos los resultados de la investigación que se centró en la historia de la sala de diversiones Odeón, construida en Belém del Pará, Brasil, a principios del siglo XX. A la luz de los estudios de recepción, la investigación tuvo como objetivo plantear elementos que permitieran realizar inferencias sobre el perfil del público y la naturaleza de las películas exhibidas durante la década de 1910, en el contexto de una ciudad amazónica, que estaba experimentando impactos económicos y migratorios del Primer ciclo de explotación del caucho (1850 a 1920). Para la operacionalización de la metodología de los estudios, visitamos las memorias del pionero del cine español, Ramón de Baños Martínez, sobre el período que estuvo en la capital de Pará, contratado como proyeccionista, operador de cámara y fotógrafo. También buscamos obtener información sobre la programación de Odeon, en las páginas del periódico O Estado do Pará, fundado en 1911. Movimiento teórico-metodológico guiado por Bernardet y Mascarello, sobre la necesidad de investigar la Historia del Cine Brasileño para ir más allá del campo de la producción cinematográfica. La investigación reveló, entre otros aspectos, que aun ante el predominio de proyecciones de películas importadas, europeas y norteamericanas, el público siempre estuvo ávido de producciones nacionales y, sobre todo, locales, aplaudidas tras haber enfrentado largas colas y en sesiones continuando por la madrugada. También revela las audiencias colosales de películas pornográficas, exclusivamente para el público masculino, vendidas como un elixir milagroso para los problemas de la sexualidad. ABSTRACT. In this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality. Neste trabalho, apresentamos os resultados da pesquisa que se deteve sobre a história da sala de diversões Odeon, erguida em Belém do Pará, no Brasil, no início do século XX. À luz dos estudos de recepção, a pesquisa teve como objetivo levantar elementos que permitissem inferir sobre o perfil do público e a natureza das películas exibidas, durante a década de 1910, no contexto de uma cidade da Amazônia, que vivenciava os impactos econômicos e migratórios do Primeiro Ciclo da Exploração da Borracha (1850 a 1920). Para a operacionalização da metodologia dos estudos, visitamos as memórias do pioneiro do cinema espanhol, Ramón de Baños Martínez, sobre o período em esteve na capital paraense, contratado como projecionista, operador de câmera e fotógrafo. Também buscamos levantar informações sobre a programação da Odeon, nas páginas do jornal O Estado do Pará, periódico fundado em 1911. Movimento teórico-metodológico norteado por Bernardet e Mascarello, quanto à necessidade da investigação sobre a História do Cinema Brasileiro ir além do campo da produção fílmica. A investigação revelou, entre outros aspectos, que mesmo já diante da predominância da exibição dos filmes importados, europeus e norte-americanos, o público estava sempre ávido pelas produções nacionais e, sobretudo, as locais, ovacionadas depois de se enfrentar longas filas e em sessões madrugada adentro. Revelam-se ainda as audiências colossais de filmes pornográficos, exclusivamente para as plateias masculinas, vendidos como milagroso elixir para os problemas de sexualidade. Palavras-chave: cinema na amazônia, exibição, recepção, sala odeon.   Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century ABSTRACT. In this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality. Keywords: cinema in the amazon, exhibition, reception, odeon theater.   Sala Odeon: Contribuciones a la historia del cine en la Amazonía - La recepción y la exhibición cinematográficas en los inicios del siglo XX RESUMEN. En este artículo presentamos los resultados de la investigación que se centró en la historia de la sala de diversiones Odeón, construida en Belém del Pará, Brasil, a principios del siglo XX. A la luz de los estudios de recepción, la investigación tuvo como objetivo plantear elementos que permitieran realizar inferencias sobre el perfil del público y la naturaleza de las películas exhibidas durante la década de 1910, en el contexto de una ciudad amazónica, que estaba experimentando impactos económicos y migratorios del Primer ciclo de explotación del caucho (1850 a 1920). Para la operacionalización de la metodología de los estudios, visitamos las memorias del pionero del cine español, Ramón de Baños Martínez, sobre el período que estuvo en la capital de Pará, contratado como proyeccionista, operador de cámara y fotógrafo. También buscamos obtener información sobre la programación de Odeon, en las páginas del periódico O Estado do Pará, fundado en 1911. Movimiento teórico-metodológico guiado por Bernardet y Mascarello, sobre la necesidad de investigar la Historia del Cine Brasileño para ir más allá del campo de la producción cinematográfica. La investigación reveló, entre otros aspectos, que aun ante el predominio de proyecciones de películas importadas, europeas y norteamericanas, el público siempre estuvo ávido de producciones nacionales y, sobre todo, locales, aplaudidas tras haber enfrentado largas colas y en sesiones continuando por la madrugada. También revela las audiencias colosales de películas pornográficas, exclusivamente para el público masculino, vendidas como un elixir milagroso para los problemas de la sexualidad. Palabras clave: cine en la amazonia, exhibición, recepción, sala odeon. Universidade Federal do Tocantins 2021-09-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/12386 10.20873/uft.rbec.e12386 Brazilian Journal of Rural Education; Bd. 6 (2021): Publicação Contínua / Continuous Publication; e12386 Brazilian Journal of Rural Education; Vol 6 (2021): Publicação Contínua / Continuous Publication; e12386 Revista Brasileña de Educación Rural; Vol. 6 (2021): Publicação Contínua / Continuous Publication; e12386 Brazilian Journal of Rural Education; Vol. 6 (2021): Publicação Contínua / Continuous Publication; e12386 Revista Brasileira de Educação do Campo; v. 6 (2021): Publicação Contínua / Continuous Publication; e12386 2525-4863 por https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/12386/19130 https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/12386/19131 Copyright (c) 2021 Ana Cláudia da Cruz Melo, Carmen Lucia Souza da Silva, Felipe Giuseppe de Albuquerque Gracio http://creativecommons.org/licenses/by/4.0
institution Periódicos Uft
collection periodicosUFT
language por
format Periódico
author Melo, Ana Cláudia da Cruz
spellingShingle Melo, Ana Cláudia da Cruz
Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
author-letter Melo, Ana Cláudia da Cruz
author2 Souza da Silva, Carmen Lucia
Gracio, Felipe Giuseppe de Albuquerque
author2Str Souza da Silva, Carmen Lucia
Gracio, Felipe Giuseppe de Albuquerque
title Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
title_short Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
title_full Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
title_fullStr Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
title_full_unstemmed Odeon theater: Contributions to the History of Cinema in the Amazon - The cinematographic reception and exhibition in the beginning of the 20th century
title_sort odeon theater: contributions to the history of cinema in the amazon - the cinematographic reception and exhibition in the beginning of the 20th century
publisher Universidade Federal do Tocantins
publishDate 2021
url https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/12386
_version_ 1717584980841857024
score 11.755432

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