In this study we present an analysis of quilombola academic narratives to understand the
relation of the hair to the construction of the black woman identity, based on Gomes
(2008); Munanga (1986); Mignollo (2003); Davis (2017); Gonzalez (1982) e Fanon
(2008). This investigation was guided by oral and life stories of eight undergraduate black
female students who are quilombola descendants from course degrees in teaching History,
Geography, Pedagogy, Languages, and Chemistry in the Federal University of Tocantins.
Thus, the systematization and the analysis of the life stories were done from three
categories that emerged from interlocutors: family related and hair manipulation; hair
transition and curly hair pride. It was concluded that the family, due to the fact they
learned as a way to “protect” themselves, set beauty care patterns similar to white people.
The hair transition is marked by the conciousness that what a black woman is, what
enables her perception of being in the world as well as the understanding of the hair as a
beauty symbol. Based on the narratives, we identify that the black people’s hair – curly
hair – represents a decolonial action, whose goal is to combat the racist social practices
and the eurocentrics ones. However, by analysing the narratives, we understand the
meaning of hair given by the Quilombola students and their politics representation,
symbolic and activist, in other words, it is not a neutral meaning in the body as a whole.
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