This research project in performing arts has as main objectives to build a creative process on the
piece’s A Midsummer Night Dream by Wiliam Shalespeare, and analysis of records and
documentation to theories and concepts that lie in this Theatre contemporaneity. It stimulates the
creation of experimentation scenic body of the characters and conflicts, with different
methodologies and theatrical languages, which werw organized as a scenic choreography, realistic
scenes, commedia dell’arte, Butoh and performance-art. Concepts such as movement, action,
narrative, physical condition, fiction and reality are addressed in practice and as a sign of
experiments scene. The method od analysis is guided in account of the experiences, supported by
theories of languages mentioned above, records created by actors anda scenic exercise recording on
DVD. The completion of work fits in matters academic training for actor, such as stage presence, and vocal and body instrumentaliztation, subjectivity and interpretation, and still urgent need for
ongoing dialogue between personal expression and collective communication. The process
converged apparently opposing methodologies and languages, order a polyphony of routes and
directions. Trying to approach multifaceted language of dreams, full of symbolism and implicit
ways os meaning and content.
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