This Master’s Thesis presents fragments of two stage actresses life story. This encounter happens in crucial moments of our lives, Wlad Lima, veteran actress as a reference, and myself, Marluce Oliveira, a learner in art. On the first act, I do record my memories and translate them into artistic and everyday life scenes. On the second act, I do describe the encounter between two fat women, with similar experiences; I highlight the poetry of the veteran actress, her professional involvement, the local where both used to work, share and built (or destroy) their dreams, the similarities identified on love, familiar and professional affairs throughout the years. This encounter was crucial for the emerging poetry of the researcher, as beginner actress - the present study, entitled “Drunk Encounter”. On the third act, I do develop a study of the play “The man who cry for only one eye”, adapted from novel “The seven kitten”, of the dramatist Nelson Rodrigues. This work had a strong effect in our lives, one as stage director and the other as actress. The study also aims the understanding of specificities and correlations of this poetic encounter between us. Encounters and convergences on family, love life, work recorded in fragments of life story of each one of them. Methodologically speaking, the research was accomplished focusing the ethnomethodology, considering opening interviews, paper analysis, individual memory and referential as needed. Supported by some referential authors like: François Dosse, Michel Maffesoli, Ecléa Bosi, and one title of “the” stage director: Actor’s Personal Dramaturgy, Master’s Thesis. In the research, I revisited memories and records of a relevant play in our lives.
|
