This ethnographic research proposes the new concept - neotribal music scene, used as analysis system to treat a musical scene in Belém/PA hitherto investigated in academia. This scene is composed of a superposition of various musical genres that includes multiple spaces of interaction and collective experience where groups experience different types and forms of sociability and intersubjective peculiarities in a given cultural context. For understanding the formation and path of this scene, the three artists from Pará focused ethnographic clipping - Roosevelt Bala, lead singer of the band Zona Rural; Markinho Duran, solo artist and Bruno Rodriguez, lead singer of the band Reggaetown, being the rock, pop and reggae their respective musical genres. The investigation covers the intersection of theorized under the marketing bias with the production in the musical field. Three were locals selected for field research: Mormaço Bar and Art, Old School Rock Bar and Templarios Bar and restaurant. Investigate how articulates the artistic practice with the dynamics of Pará's capital night market, under an ethnomusicological perspective, is the main goal of this research. The study touches points of confluence between the processes of production, circulation and consumption of music, guided by the analysis of the aspects of social life and cultural analysis of the music, he was determined to reach, at the end of this process, a form of appreciation and recognition of the quality of local music production and cultural diversity of our State and, consequently, bringing not only contributions to the field of ethnomusicology, as well as the artistic medium.
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