In the present thesis, ‘Timeless dialogues between music and image:
resignifying Clemente Ferreira Júnior’s work (1864-1917)’, the author aims to
promote a dialogue between Clemente Ferreira Júnior’s work (his great grandfather),
composer, pianist and conductor, with his own work, considering epistemologies in
the study of music and image. The author presents a historical summary, presenting
an overview of the composer’s sociocultural surroundings, subsequently making an
analysis of his pianistic work, utilizing an semiologic and semiotic perspective
(musical and visual), aiming do unveil creative (poietic) and perceptive (estesic)
aspects, considering its covers, the musical object and a few historical aspects.
Develops, therefore, a musical product as a result of the epistemological and
phenomenological dialogue, the Imaginary landscapes catalog, throughout artistic
and compositional processes (“transmelodies” e “pictoscores”), transforming and
resignifying Clemente’s work, to be released in parallel as this thesis. The author
aimed to establish, therefore, a transdisciplinary artistic and epistemological
dialogue, combining musical semiology and semiotics, proposing an outline for a
kinesthetic sign, grounded in different notions from various authors: Nattiez (1990),
Molino (1990), Tarasti (1994).
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