We investigated the musical practice of Mestre Vieira, considering the establishment of a new poetics in the local musicality that remodels new perspectives for the practice of electric guitar in the Amazon. How did the anthropological journey of Joaquim de Lima Vieira in Paraense Popular Music become entangled? The act of transcriationality of Mestre Vieira that resulted in the invention of the guitar musical genre constituted a process of cultural hybridization and transionality? What kind of musical analysis can be performed in Mestre Vieira's works aiming at comparative and particular information that allows us to justify guitar playing as a musical genre? In addition to reading the bibliographic production on the subject, an ethnographic description of the local and global context in which Mestre Vieira was produced was done, as well as semi-structured interviews that aided in the composition of the analytical arguments. The period covered the years 1934, year of birth of Joaquim de Lima Vieira and 2019, year of conclusion of the dissertation. It was confirmed the hypothesis / thesis that Vieira was produced as a musician through a creative act, and thus acting, from his anthropological path, he conceived a new poetics in the musicality that projected from Barcarena to Belém, to Pará, to the Amazon , for Brazil and the World, since, from what I call hybrid-transactional convergences between cultural contexts, it transcriated the guitar musical genre, embrionando new perspectives for music, for the practice of the electric guitar, for the imaginary and Amazonian musical culture.
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