This research aims to present and understand the creative process of the Artistic rite Poetic Flour (Rito Artístico Farinha Poética), through theoretical and practical dialogues, as a production of artistic and academic knowledge. By artistic rite is meant the moment in which the scenic product of this research is delivered to the public. In order to construct the work of art and arrive at this moment, I used a strategy I call familiar coreocartography (Coreocartografia familiar) - a methodological proposal for dance research inspired by cartography (DELEUZE, 1995) in dialogue with the creation processes (SALLES, 2006), an experience which unveils the (re)encounters of this interpreter-creator in dance with his family, his history and his dance, thus becoming a broad network of artistic, epistemological and life connectives, a map of a family of knowledge willing to shared. In the realization of the work research, the procedures of preparing flour as metaphors for creation in dance, I observe the processes of "semiotic conversion" (LOUREIRO, 2007) of the gesture in "contemporary dance" (ROCHA, 2016) and highlight the relevance of subjectivity as the value needed for scenic creation. As a result, it is verified that the research treated in this memorial transcends the reflections on the resources and procedures of scenic construction Artistic rite Poetic Flour (Rito Artístico Farinha Poética) and advances in the sense of seeing the construction of this Rite as a process of healing and reunion that is based on life situations and of art, intimate relations with one of the social contexts of my hometown, a context that my family lives during the production of cassava flour
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