This paper presents a study of
the tragedies Medea, Electra and The
Trojans of Euripides, in which we discuss
how the performance and endurance is. We
will concentrate on analyzing the female
characters the tragic elements and how the
narrative is important for understanding the
categories violence, memory and oblivion.
To understand the theories related to
performance, endurance and trauma will
use the texts of authors like Jorge Glusberg
(1980) which ensures the performance one
related to delirium, manifested through the
unconscious performer desire, because "the
resulting speech is close to delirium and
also, truth that is always raving "(Glusberg
1980, p.124). As Sarmento-Pantoja, which
states that, the performance can also be
considered as a performance built by the
characters, "for us this performance can be
critical to understand what we call suffering
performance" (SARMENTO-PANTOJA,
2002 p.23). Alfredo Bosi notes that
resistance is "opposing force itself to
external forces" (BOSI, 2002, p. 118) in
which we understand as opposition forces
that conflict with each other.
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