Cinema e resistência: a ditadura militar brasileira em Zuzu Angel, de Sergio Rezende
From 1964 to 1985, Brazil experienced the Military Dictatorship, to which images of extreme violence are linked. The artistic production of that moment came to represent such a historical situation, seeking to produce works that were against the ideology of the authoritarian power. Aside from...
| Autor principal: | CALEGARI, Lizandro Carlos |
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| Grau: | Artigo |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Pará
2021
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br/jspui/handle/2011/12913 |
| Resumo: |
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From 1964 to 1985, Brazil
experienced the Military Dictatorship, to
which images of extreme violence are
linked. The artistic production of that
moment came to represent such a historical
situation, seeking to produce works that
were against the ideology of the
authoritarian power. Aside from literary
works and musical expressions, many films
were made to “speak” about that period.
The purpose of this article is to deal with
the concepts of resistance and cinema in
order to verify how these words help in an
analysis of Sergio Rezende’s Zuzu Angel
(2006). Walter Benjamin, Alfredo Bosi, and
Márcio Seligmann-Silva are the main
authors who underscore the present
approach. |