Through winding lines of aerial thoughts conceived by a butterfly-writer, I write about
the body-horse of Dona Rosinha Malandra, Umbandist Left Entity. Dona Rosinha
incorporates in Rosa Luyara, a Saint's Mother who is a transsexual from the Belém’s
periphery, which is the preponderant factor for the development of libertarians and
crossroads epistemologies, of immoral nature, whose poetic crossings were
experienced by the actress-researcher-bacante, in the affective crossroads of the
Amazonian Umbanda. Based on the poetic image of the vulgar-butterfly, the
methodology developed in this thesis was configured in a process involving sweet
deaths for new transformed lives. Through an ethno-affective method. Pupas, hot
vulvas, cocoons, self-estrangements in the understanding of the house-cosmos
perfumed with snake perfumes, which is the central force of a body-horse-transvestite.
Prostitute, Gunslinger, Cabaret Owner reveals mysteries, secrets of a malandra
worldview belonging to a present time, for the social empowerment of a community.
As an epistemological contribution to the academy, I develop the notion of body leaning, which is configured in an epistemo-methodological proposal of a body in the
process of creation. A butterfly-thesis. This study is a feminist thesis, with
transformative, transgressive and deliciously imoral content. The research aims to
raise ardent butterfly flights, based on ethnocenological notions of Armindo Bião e
Miguel Santa Brigida, in the images of Barchelard, in the imaginary of Durand and in
the sensitive thought of Maffesoli to prepare the paths to be walked in an identity
construction of gender, community and artistical epistemic freedom
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