This research seeks to understand as creative artist-researcher-participant of Auto do Círio the
creative processes of makeup of the Front Commission revealed in the spectacularity of this
scenic phenomenon of singular dimensions as dramatic courtship. Armindo Bião (2008),
Jean-Marie Pradier (1995) for the approach to Spectacularity, Theatricality, Cultural Matrices
- Aesthetic Matrices, and Theoretical and Methodological Matrices in Ethnocenology, as
Ethnoscience of Arts and Forms of Spectacle. Michel Maffesoli for Emotional Communities.
In the study of the imaginary Paes Loureiro (2010) in his proposition of Semiotic Conversion
as a conceptual key to understanding the poetics of Amazonian culture. For the Creative
Processes approach, Sônia Rangel (2015) and Philip Hallawell (2010). As a dominant
ethnocenological premise, we privilege in the methodological procedures the multiple internal
experiences in the research phenomenon, giving relevance to the wisdom of practitioners and
their trajectories in the show, through photographic records, videos of the creative process of
self makeup and choreography, as well as semi interviews structured. These audiovisual
records compose a documentary titled Auto Etnodocumentario indissociated from this
reflection contributing, as a makeup artist, to the construction of knowledge that springs from
the complexity and richness of spectacular street practices in the contemporary Amazon
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