Graciliano Ramos, canon author
of Brazilian literature, is more recognized
for his adult literary productions, such as
“Vidas Secas”, “São Bernardo”,
“Memórias do Cárcere”. However, Ramos
also left to his readers, narratives aimed at
children's audiences, such as “Histórias de
Alexandre”, “A terra dos meninos pelados”,
“Pequena História da República”, and the
short stories "Minsk" and "Luciana."
Reflecting on how criticism has favored
some of Graciliano Ramos' works in his
analysis and leaving aside, especially,
children's narratives, we have decided to
ponder and think about the Graciliano
Ramos aesthetic project and how this
necessarily pervades all his literary
productions and also as the analysis of an
Exception State goes beyond the classical
concept put forward by some theorists, such
as Giorgio Agamben
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