Música, temporalidade e emoção nos bailes da saudade de Belém, Pará, Brasil
The work presents the results of ethnography carried out in the bailes da saudade (balls of nostalgia) in Belem, Para, Brazil, and seeks to discuss the artifices and dispositives for the production of temporality in the urban culture of that city. In this perspective, an attempt is made to und...
| Autor principal: | CASTRO, Fábio Fonseca de |
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| Grau: | Artigo |
| Idioma: | por |
| Publicado em: |
Universidade Federal da Paraíba
2022
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br:8080/jspui/handle/2011/14775 |
| Resumo: |
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The work presents the results of ethnography carried out in the bailes da saudade (balls
of nostalgia) in Belem, Para, Brazil, and seeks to discuss the artifices and dispositives for the
production of temporality in the urban culture of that city. In this perspective, an attempt is made
to understand the relationship between music, temporality and emotion using Heidegger's (2012)
reflections on daily temporality, Derrida (1972; 1994) on the question of the “metaphysics of
presence” and Schütz (1967; 2012), about the intersubjective processes that make up culture. |