In this work, we present a reflection on how
digital technologies have changed the way we
experience museums and cultural heritage
in the last decades and even in a context of
social isolation motivated by the Covid-19
pandemic. We revisit the ideas and thoughts
of theorists such as Wiener, Haraway, Pre ciado and Levy to reflect, from cybernetics
to cyborg and datacentric culture, on these
transformations when considering the sub ject-technology-society interrelationship. For
that we also point out formative or historical
landmarks, in Brazil and in the world, which
culminate in a range of resources that expand
memories and museological spaces with the
impulse of cyber technologies. Advents that
are at the base of what is called digital cul ture, where society is remodeled, affected by
technological addenda. We also bring results
from cartographies of spaces on the internet
of Brazilian museum institutions, carried out
between 2018 and 2020, which signal how we
are in an immersion process in digital culture.
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