Experiência de existir na pesquisa em artes como ato poético: o ponto de dobra e a ativação artística, lamber a cidade.
This artistic-critical memorial is in the Research Line dedicated to the Artist Researcher and addresses the experience of existing in arts research as a poetic act. The journey undertaken by this experiment unfolds through the concept of Fold Point and the artistic activation of Licking the Ci...
| Autor principal: | BARBERY, Melissa |
|---|---|
| Grau: | Tese |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Pará
2024
|
| Assuntos: | |
| Acesso em linha: |
https://repositorio.ufpa.br/jspui/handle/2011/16249 |
| Resumo: |
|---|
|
This artistic-critical memorial is in the Research Line dedicated to the Artist
Researcher and addresses the experience of existing in arts research as a poetic
act. The journey undertaken by this experiment unfolds through the concept of
Fold Point and the artistic activation of Licking the City. In the initial
experiments, this videographic urban intervention was directly influenced by
Vicente Cecim's text "Caught in the Act Against the Night / Cural Manifest" (1983)
and the book/catalog "Uprisings" (Didi-Huberman, 2017). As a result of the path
taken by the artist, it is believed that the presence of the artist-researcher in the
university is a fundamental practice for a unique perspective on the relationship
between art and society. |