The Theater of Joaquim José de Campos Leão or, simply, Qorpo-Santo is clearly a text with gaps, as the own author stand out in several moments of "Ensiqlopédia ou Seis Mezes de Uma Enfermidade", publication by him carried out and philological only spring of his texts. Our proposal of analysis itself order of the need we will bend over about the playwriting of Qorpo-Santo. Our objective is, whenever possible, confer a sense or, in others we will have, create representative possibilities to the airtight theatrical text of this author. In the attempt to-unmask him, we were to the meeting of the necessary interpretative elements for complete the gaps left in the text of the author. His texts constitute itself of true " bedspreads of scraps as a kaleidoscope", since in them we find several interpretative possibilities upon we will try to fill the vague of the cuttings found in the its work. Initially in the sufficiency leave his when possible, sharper texts, for that itself we be able to ignore opinions of that "the texts of Qorpo-Santo are for be well-read and not for to be produced", for us, that is barely more one of the illusions that penetrated the history of the Duke of the Triumph, that should be exceeded from the moment that will give the due sense to those texts, it leave The insanity as a talk and a proposition inside the work and of the life of the author.
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