The purpose of this study is to understand the dynamics of music education in the Educational Unit Specialized Jose Alvares de Azevedo (EUS - JAA), placing the music and its creative dimension in Specialized Educational Services (SES) in the trainig of teachers and students with Visual Disabilities, the perspective of inclusive education. The EUS - JAA located in Pará State, a reference in the SES of students with Visual Disabilities. According to official figures from the State Department of Education in 2009, this institution has served about 347 students coming from the metropolitan area of Belém. Teachers and technicians of the unit acted in several actions: (a) in serving students with Visual Disabilities, (b) training of educators in the State Schools, and (c) the organization of society involving Pedagogical Workshops for discussion of topics related to art. Referring to the art, include the song as an important element in the teaching-learning in their students. While these practices initially appears to work with music, it seems there is a gap in the field of systematic and scientific production of these practices, given the wealth of experiences and specificities of their activities. Concerning the search of the creative processes of students with Visual Disabilities through the music, it is noticed that the unit offers many possibilities for study and production of knowledge. Considering the complex perception of the phenomena being studied, the researcher used a qualitative approach, structured around a case study. As a research technique, the researcher used na indirect documentation through bibliographical research and documentary research. The direct documentation was based on (a) direct observation through intensive observation techniques and (b) script semi-structured interview. Data analysis revealed that: (a) The EUS - JAA has been undergoing a process of change in its form of organization in an attempt to fit the normalization process of the SES. This change in progress, is the center of the conception of perspective inclusion in which the concept of social inclusion has a significant role and school inclusion is presented in the development process and increasing demand that its consolidation overcoming challenges still present in the dynamics institutions, especially in relation to mainstream education, (b) The Coral Cantarte as a field of musical performance, it is stated as part of the set of activities offered to students with Visual Impairment, expressing a specific educational organization that seeks to consider the needs of special education students, valuing approaches to multi sensory processes of memorization and repetition and repertoire of low technical complexity as the guiding principles of teaching-learning process, (c) The creative dimension of music, through composition, improvisation and of musical innovation manifests itself differently in practice teaching music, composing a general framework for absences and presences, possibilities and perspectives. In this sense, the establishment do not compose the musical range of educational objectives proposed for the Choir, and the creative nature of the music the main triggering agent of her shy expression. Thus, it produces knowledge of an educational experience that contributes to the enrichment of the relationship of music with the construction process of inclusion of students with Visual Impairment.
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