This research examines the concepts of difference and dissent from the configuration of power while the process of creating the dance show Tá Rolando o bafon! Experience which brought together four artists coming from different languages of art: the circus, dance, theater and performance. Difference here is understood as a game, a conceptual choreography, his moves leave the speeches of the artists participating in the process and the poetry of Fernando Pessoa, in particular those contained in his Livro do Desassossego, such choreography difference is also crossed by authors such as Michel Foucault, Gilles Deleuze, Tomaz Tadeu da Silva and Silva Boaventura Santos. The concept of dissent moves from the work of philosopher Jacques Rancière. This research should be understood as a creation in dance, creating a methodology that assumes danced, this one is based on the notions commonly used actions such as dancing to compose this theory choreographed dances such as references presented here has thoughts of dancing Helena Katz, Fabiana Dultra Britto, Thereza Rocha and Lenira Rengel.
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