This work of conclusion of course is about the analysis of choreographic experiments of the Stiletto dance in the group 2KDance, Ananindeua - Pará. The Stiletto dance performer realizes corporal movements that emphasize the sensuality, having as characteristic the use of the shoe of jump during the choreography. This is a descriptive research of investigative nature of a qualitative nature. To analyze the phenomenon used as a theoretical-methodological basis for ethnocenology, from the studies of Pradier (1999) for dialogue of the body, through the state of the altered, which potentiates the sensuality and spectacularity of dance.
To discuss the emergence of this dance genre, I use the author Foglia (1997) which shows that Stiletto's emergence came from the union of urban dances, with other genres besides the use of high heels. It uses other authors like Medina (2008) on dance and Garcia and Havas (2003). As a final result I analyze choreographic experiments of the Stiletto dance in the Residence Park, in Belém do Pará, with the group 2K Dance.
|
