Historically, in the ballroom dances, the gentleman always led his lady, leaving
her a passive role to follow the gentleman's movement, movement and
musicality. However due to the cultural changes of women, this place is
questioned, in this sense the present research turned, throughout its
development, to a reflection on shared driving and more active ladies. Thus this
study comes to problematizar: How does the shared conduction between lady
and gentleman in the ballroom dance take place? This research intends to add
other glances for this language in dance, that the two bodies can dialogue for
the movement. The general objective of this work was to investigate the shared
conduction of the hall dance between lady and gentleman. And the specific
objectives of the research were: to analyze driving in the two-way dance and to
weave approximations and differences in shared driving. The work by means of
a qualitative autobiographical study expresses my experiences on this
conduction, as well as record in my logbook, interview with practitioners of
ballroom dancing, to result in the shared star. A contribution is expected in the
discussion of the subject and that these proposals add up to the most dialogical
understanding in dance to two, with free ladies in their body expression and
sensitive gentlemen, open and who know that their ladies also get their space in
the driving.
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