This monograph presents and analyzes Dell Maluko: the Comicality of a Marker of Quadrilha Junina Paraense, an artist born in the municipality of Santa Izabel do Pará, who acts strongly in the cultural segment. To elaborate this research, ethnomethodology was used as a methodological path, in addition to the important postulates of Coulon (1995, 2005), who talks about the empirical relations that a social group exercises through its own cultural and artistic practices. I begin by portraying the history and origin of the parties and dances, going through the French aristocratic parties and the consequent arrival of the June gang in Brazil, which has become a fundamental aspect of the June culture until today. To reinforce these statements, I use the statements of Chianca (2006, 2013); Rangel (2008); Geertz (1989); Campos (2007); Guarinello (2001); Leal (2004); Cascudo (2001); Maffesoli (1996). To understand the June marker and its context of history and memories, the theoretical contributions of Gomes (2008); Oliveira (2017); Teixeira (2012); Behlau (2005). The researched subject Dell Maluko is placed as the center of his process and act in the scenic space in the culture of Pará. In this sense, I conceptualize the “joanino” to understand the dimension of the popular scene through the dynamism of play and improvisation.
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