The objective of this research is to investigate the process of dance improvisation by the interaction between artist and audience through the application Bigo live, in order to understand how this creative process of mutual influence expands possibilities of dance fruition in social networks. The pandemic state that hit the world in the early 2020s, which lasted for almost two years, generated an atmosphere of great insecurity for the artistic community that was faced with the deprivation of face-to-face work, so promoting other compositional instances such as lives and dancing vídeos , which enabled the relationship and the meeting of singularities for creation in a virtual environment. Thus, in order to discuss virtual dance and improvisation, I had the bibliographical support of the authors Jussara Miller, Cora Miller Laszlo, Rolf Gelewski, Helena Katz and Rudolf Laban. It is necessary to reinvent oneself to meet the demands created in the pedagogical and artistic context, and even in other contexts. The bigo live platform is one more space to search for alternative ways to express oneself, to feel oneself in the world producing and, therefore, living new experiences.
|
