This memorial writing is a crossroads, in the middle is the provocative traveler and artistresearcher who, inspired by the archetypal image of the Magician, the messenger, who
says - I am all arts in power, I have the ability to the present time, traveled long distances
and brought tools to share in this crossing, I desire a collective body that gives way, and
therefore crosses and is crossed -, where giving passage is a present perspective in the
research of Bondía (2002) on the subject who lives the experience, which is also
"crossing". In the search for tools for research, I let myself be led by contact improvisation
(CI) that leads me to participate in residencies, festivals and laboratories; are events that
move research and with this cartography as a procedure, inspired by the work of Deleuze
and Guatarri (2012), finds principles that nourish the composition of poetics. The practical
experiences are with approaches on improvisation, interpreter-creator and real-time
composition (CTR) from the researches of Mayrla Andrade (2012), Waldete Brito (2012),
Eleonora Leal (2012), Ana Flávia Mendes (2008), Hugo Leonardo (2008), Ana Mundim
(2018) and Ciane Fernandes (2018). These studies provide principles for conducting a
laboratory practice that took place from January 23 to 29, 2019, when conducted by the CI
from the image-force of the "crossing", a performative act of composition was generated
in time real.
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