This research aims to enlighten about the K-Cover dance in the metropolitan region of
Belém, Pará, through a direct conversation with the reader about the history of K-Pop
in general. In this context, I present some descriptive methodological strategies used
during choreographic learning that was developed and established by the K-Cover
niche itself in Belem. Based on my analysis and observation of other groups, besides
my own experience. Having Ethnocenology as a basic theory for the investigation of
spectacularity in cover dance, together, related to performance, I approach the states
of body and consciousness that the K-Cover reaches when entering the stage. I will
go through three outstanding performances from 2018 to 2022, from tracing their
choreographic paths to their spectacularity. Above all, I reaffirm the relationship
between K-Cover dance and choreographic spectacularity in a more particular way in
the context of the metropolitan region of Belem.
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