The present study aims to explore the spectacularity of Kpop in the Belém community, establishing an accessible and direct dialogue with the reader. This will be achieved through an analysis that encompasses the history of Kpop and my personal experience as part of the kcover group. In order to investigate spectacularity in dance and body expression in the context of cover groups, Ethnocenology will be used as the main theoretical reference. The main focus of this research is to reinforce the intrinsic relationship between spectacularity and the k-covers scene in Belém, with a special emphasis on the group “On Fleek”. At the same time, my own experience will be analyzed in a particular context, providing a comprehensive overview of the experiences lived in this cultural and artistic scenario.
I selected authors who speak to my research and enrich it even further: Bião (2007), Schechner
(2003), Lie (2015), Jamille Guimarães (2022), Maliangkay (2011), dentre outros.
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