"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter
Globalization has promoted changes in the world television scene, bringing cultures closer together and reducing geographical borders with just a few clicks. Turkey became the second largest exporter of television series in the world, trailing just two from the United States. Still, not in Brazil, t...
| Autor principal: | Gato, Ana Clara Moraes Gato |
|---|---|
| Grau: | Trabalho de Conclusão de Curso |
| Idioma: | por |
| Publicado em: |
Brasil
2022
|
| Assuntos: | |
| Acesso em linha: |
http://riu.ufam.edu.br/handle/prefix/6515 |
| id |
oai:localhost:prefix-6515 |
|---|---|
| recordtype |
dspace |
| spelling |
oai:localhost:prefix-65152025-03-10T20:57:36Z "Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter Gato, Ana Clara Moraes Gato Silva, Luiz Antônio Santana da http://lattes.cnpq.br/0929892328542357 Tropiano, André Luís Cardoso Rocha, Israel de Jesus http://lattes.cnpq.br/0880964170579521 https://orcid.org/0000-0001-5717-2733 Participatory Culture Turkish TV Series Fan Community Social Media Twitter CIENCIAS SOCIAIS APLICADAS Twitter (Rede social on-line) Globalization has promoted changes in the world television scene, bringing cultures closer together and reducing geographical borders with just a few clicks. Turkey became the second largest exporter of television series in the world, trailing just two from the United States. Still, not in Brazil, the phenomenon in the growth of these series in the open channels has been wandering in comparison to the movement that is far from the Internet, which performs a voluntary job of collecting, producing and sharing content for other families. This work proposes a case study of the fandom of Sen Çal Kapımı, one of the most popular series produced in Turkey in Brazil, with the aim of identifying and understanding the actions carried out by fas to generate visibility to the program on Twitter. The concepts used address issues such as network societies, family communities, participatory culture and convergence culture. Therefore, as methods for collecting data, we carried out a brief ethnographic survey on Twitter and a questionnaire structured by the Google Forms platform, in which it was possible to understand how the mobilizations are organized and which are the main actions carried out by the fans – who call themselves Door Knockers – in the search of the visibility of the series. As a result of two data obtained, four categories were created to assist in the interpretation of the collected information, being them: She makes her own fics; From SÇK to life; Hey Twitter, notice me; and Everywhere. With this, we observed a great non-fandom collaborative work in search of series recognition, which generated results that are considered to be a production sale for more than 80 countries and for HBO Max streaming, as well as the renewal of the series for a second season. Likewise, it seeks to contribute to the studies of families in the context of culture of convergence, tracing new dreams about the families of Turkish series in Brazil. A globalização tem promovido mudanças no cenário televisivo mundial, aproximando culturas e diminuindo fronteiras geográficas com apenas alguns cliques. A Turquia se tornou a segunda maior exportadora de séries televisivas do mundo, ficando atrás apenas dos Estados Unidos. Ainda assim, no Brasil, o fenômeno em crescimento dessas séries nos canais abertos tem sido devagar em comparação ao movimento feito pelos fãs na internet, que realizam um trabalho voluntário de coleta, produção e compartilhamento de conteúdos para outros fãs. Este trabalho propõe um estudo de caso do fandom de Sen Çal Kapımı, uma das séries produzidas na Turquia mais populares no Brasil, com o objetivo de identificar e compreender as ações realizadas pelos fãs para gerar visibilidade ao programa no Twitter. Os conceitos utilizados abordam temas como sociedade em rede, comunidades de fãs, cultura participativa e cultura da convergência. Para tanto, como métodos para coleta dados utilizamos uma breve imersão etnográfica no Twitter e um questionário estruturado pela plataforma do Google Forms, em que foi possível entender como são organizadas as mobilizações e quais são as principais ações executadas pelas fãs – que se autodenominam como Batedoras de Porta (Door knockers) – na busca pela visibilidade da série. Como análise dos dados obtidos, foram criadas quatro categorias para auxiliar na interpretação das informações coletadas, sendo elas: Ela faz a fic dela; De SÇK para a vida; Ei Twitter, me nota; e Em todo lugar. Com isso, observou-se um grande trabalho colaborativo no fandom na busca pelo reconhecimento da série, que gerou resultados consideráveis como a venda da produção para mais de 80 países e para o streaming HBO Max, além da renovação da série para uma segunda temporada. Sendo assim, busca-se contribuir para os estudos de comunidades de fãs no contexto da cultura de convergência, trazendo novos olhares sobre às fãs de séries turcas no Brasil. 3 Sim 2022-10-21T16:07:24Z 2022-10-21 2022-10-21T16:07:24Z 2022-09-21 Trabalho de Conclusão de Curso http://riu.ufam.edu.br/handle/prefix/6515 por Acesso Aberto Brasil FIC - Faculdade de Informação e Comunicação Manaus Comunicação Social – Relações Públicas - Bacharelado - Manaus |
| institution |
Repositório Institucional - Universidade Federal do Amazonas |
| collection |
RI-UFAM |
| language |
por |
| topic |
Participatory Culture Turkish TV Series Fan Community Social Media CIENCIAS SOCIAIS APLICADAS Twitter (Rede social on-line) |
| spellingShingle |
Participatory Culture Turkish TV Series Fan Community Social Media CIENCIAS SOCIAIS APLICADAS Twitter (Rede social on-line) Gato, Ana Clara Moraes Gato "Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| topic_facet |
Participatory Culture Turkish TV Series Fan Community Social Media CIENCIAS SOCIAIS APLICADAS Twitter (Rede social on-line) |
| description |
Globalization has promoted changes in the world television scene, bringing cultures closer together and reducing geographical borders with just a few clicks. Turkey became the second largest exporter of television series in the world, trailing just two from the United States. Still, not in Brazil, the phenomenon in the growth of these series in the open channels has been wandering in comparison to the movement that is far from the Internet, which performs a voluntary job of collecting, producing and sharing content for other families. This work proposes a case study of the fandom of Sen Çal Kapımı, one of the most popular series produced in Turkey in Brazil, with the aim of identifying and understanding the actions carried out by fas to generate visibility to the program on Twitter. The concepts used address issues such as network societies, family communities, participatory culture and convergence culture. Therefore, as methods for collecting data, we carried out a brief ethnographic survey on Twitter and a questionnaire structured by the Google Forms platform, in which it was possible to understand how the mobilizations are organized and which are the main actions carried out by the fans – who call themselves Door Knockers – in the search of the visibility of the series. As a result of two data obtained, four categories were created to assist in the interpretation of the collected information, being them: She makes her own fics; From SÇK to life; Hey Twitter, notice me; and Everywhere. With this, we observed a great non-fandom collaborative work in search of series recognition, which generated results that are considered to be a production sale for more than 80 countries and for HBO Max streaming, as well as the renewal of the series for a second season. Likewise, it seeks to contribute to the studies of families in the context of culture of convergence, tracing new dreams about the families of Turkish series in Brazil. |
| author_additional |
Silva, Luiz Antônio Santana da |
| author_additionalStr |
Silva, Luiz Antônio Santana da |
| format |
Trabalho de Conclusão de Curso |
| author |
Gato, Ana Clara Moraes Gato |
| title |
"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| title_short |
"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| title_full |
"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| title_fullStr |
"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| title_full_unstemmed |
"Batedoras de Porta" in action: the search for visibility for Sen Çal Kapimi on Twitter |
| title_sort |
"batedoras de porta" in action: the search for visibility for sen Çal kapimi on twitter |
| publisher |
Brasil |
| publishDate |
2022 |
| url |
http://riu.ufam.edu.br/handle/prefix/6515 |
| _version_ |
1831969878839394304 |
| score |
11.753735 |