This article is an excerpt from the Scientific Initiation research (FAPEAM)
entitled "POETRY AS RESISTENCE TO THE MILITARY REGIME", and aims to
analyze the contribution of Chico Buarque de Holanda's music in partnership in the
construction of social criticism of Brazilian poetry produced during the military
dictatorship. The corpus of analysis consists of 01 song by the composer: “Cálice”. The work proposal is, through this object of analysis, to point out some relationships
between the military regime and music, in order to show one of the facets of language,
the game between apparent meaning and possible meanings. The work will be
developed through bibliographic research, based on the reading and analysis of some
authors, such as Borges (2004), Filho (2007), Homem (2009), Jutgla (2013) and Koch
(2004). Chico Buarque de Holanda was an author engaged in the social struggles of
his time, bringing in his works a constructive essence in order to make us reflect on
our conduct as a constituent part of the country's sociopolitical system. In view of this
perspective, it is relevant to search for greater depth in the author's works, as they
contribute significantly to the construction of opinion formers.
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