A representatividade da umbanda através do artesanato de bonecas
This research deals with reflection on the craftsmanship of dolls that represent figures and elements of Umbanda as a form of cultural and religious expression. The research highlights the importance of dolls as a symbol of faith, identity and resistance, representing the diversity and richness o...
| Autor principal: | Ramos, Ângela Mourão |
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| Grau: | Trabalho de Conclusão de Curso |
| Idioma: | por |
| Publicado em: |
Brasil
2024
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| Acesso em linha: |
http://riu.ufam.edu.br/handle/prefix/8331 |
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oai:localhost:prefix-83312025-03-10T21:30:25Z A representatividade da umbanda através do artesanato de bonecas Ramos, Ângela Mourão Suzuki, Clarissa Lopes http://lattes.cnpq.br/9868131540022838 Silva, Fernanda Priscila Alves da Silva, Carlos Carvalho da clarissa.suzuki@ufam.edu.br Artesanato Umbanda Bonecas Cultura afro-brasileira Intolerância religiosa Crafts Dolls Afro-Brazilian culture Religious intolerance LINGUISTICA, LETRAS E ARTES: ARTES . . This research deals with reflection on the craftsmanship of dolls that represent figures and elements of Umbanda as a form of cultural and religious expression. The research highlights the importance of dolls as a symbol of faith, identity and resistance, representing the diversity and richness of Afro-Brazilian culture. The dolls, often made with traditional materials and techniques passed down from generation to generation, are not just decorative objects, but rather representations of spiritual entities and aspects of the daily lives of Umbanda practitioners. The research also explores the process of creating the dolls, from the choice of materials to the spiritual intentions involved, emphasizing the connection between crafts and religious practices. Oral History (Meihy; Holanda, 2007) and Autobiographical Narratives (Cunha, 2016) were the qualitative methodologies used in this research. The main foundation of oral history is a social dimension that encompasses collective memory and social identity and places people at the center of the construction of knowledge. And the Autobiographical Narrative was the way to tell my story, share the knowledge that constitutes me, strengthening traits of my identity with awareness and formative purpose. To talk about the history of Umbanda and African-based religions, I spoke with Cumino (2011) and Prandi (1989), two authors who are references in this area. And when I reflected on the knowledge that comes from craftsmanship, I based myself on the writings of the ceramist and educator Sonia Carbonell Alvares. The art educator highlights how crafts have an ancestral dimension that strengthens social ties and belonging for many people, especially those who are part of the same community, such as terreiro people. It is hoped that the results of this study will not only enrich the understanding of Afro-Brazilian religiosity, but also promote a broader dialogue about religious diversity and Afro-Brazilian culture. Esta pesquisa trata da reflexão sobre o artesanato de bonecas que representam figuras e elementos da Umbanda como uma forma de expressão cultural e religiosa. A pesquisa destaca a importância das bonecas como símbolo de fé, identidade e resistência, representando a diversidade e a riqueza da cultura afro-brasileira. As bonecas, muitas vezes confeccionadas com materiais tradicionais e técnicas passadas de geração a geração, não são apenas objetos decorativos, mas sim representação de entidades espirituais e aspectos da vida cotidiana dos praticantes da Umbanda. A pesquisa também explora o processo de criação das bonecas, desde a escolha dos materiais até as intenções espirituais envolvidas, enfatizando a conexão entre o artesanato e as práticas religiosas. A História Oral (Meihy; Holanda, 2007) e as Narrativas Autobiográficas (Cunha, 2016) foram as metodologias qualitativas utilizadas nesta pesquisa. O principal fundamento da história oral se constitui em uma dimensão social que abarca a memória coletiva e a identidade social e coloca as pessoas no centro da construção do conhecimento. E a Narrativa Autobiográfica foi o meio de contar a minha história, compartilhar os conhecimentos que me constituem, fortalecendo traços da minha identidade com consciência e propósito formativo. Para falar sobre a história da Umbanda e as religiões de matriz africana, dialoguei com Cumino (2011) e Prandi (1989), dois autores que são referências nesta área. E quando refleti sobre os saberes que vem da artesania, me fundamentei nos escritos da ceramista e educadora Sonia Carbonell Alvares. A arte-educadora ressalta como o artesanato tem uma dimensão ancestral que fortalece laços sociais e pertencimento para muitas pessoas, principalmente para aquelas que fazem parte de uma mesma comunidade, como as dos povos de terreiro. Espera-se que os resultados deste estudo não apenas enriqueça o entendimento sobre a religiosidade afro-brasileira, mas também promova um diálogo mais amplo sobre a diversidade religiosa e a cultura afro-brasileira. 5 Sim 2024-12-18T02:54:43Z 2024-12-18T02:54:43Z 2024-12-05 Trabalho de Conclusão de Curso http://riu.ufam.edu.br/handle/prefix/8331 por Acesso Aberto https://creativecommons.org/licenses/by-nc-nd/4.0/ Brasil ICSEZ - Instituto de Ciências Sociais, Educação e Zootecnia (Parintins) Parintins (AM) Artes Visuais - Licenciatura - Parintins |
| institution |
Repositório Institucional - Universidade Federal do Amazonas |
| collection |
RI-UFAM |
| language |
por |
| topic |
Artesanato Umbanda Bonecas Cultura afro-brasileira Intolerância religiosa Crafts Dolls Afro-Brazilian culture Religious intolerance LINGUISTICA, LETRAS E ARTES: ARTES . . |
| spellingShingle |
Artesanato Umbanda Bonecas Cultura afro-brasileira Intolerância religiosa Crafts Dolls Afro-Brazilian culture Religious intolerance LINGUISTICA, LETRAS E ARTES: ARTES . . Ramos, Ângela Mourão A representatividade da umbanda através do artesanato de bonecas |
| topic_facet |
Artesanato Umbanda Bonecas Cultura afro-brasileira Intolerância religiosa Crafts Dolls Afro-Brazilian culture Religious intolerance LINGUISTICA, LETRAS E ARTES: ARTES . . |
| description |
This research deals with reflection on the craftsmanship of dolls that represent
figures and elements of Umbanda as a form of cultural and religious expression. The
research highlights the importance of dolls as a symbol of faith, identity and
resistance, representing the diversity and richness of Afro-Brazilian culture. The
dolls, often made with traditional materials and techniques passed down from
generation to generation, are not just decorative objects, but rather representations
of spiritual entities and aspects of the daily lives of Umbanda practitioners. The
research also explores the process of creating the dolls, from the choice of materials
to the spiritual intentions involved, emphasizing the connection between crafts and
religious practices.
Oral History (Meihy; Holanda, 2007) and Autobiographical Narratives (Cunha, 2016)
were the qualitative methodologies used in this research. The main foundation of
oral history is a social dimension that encompasses collective memory and social
identity and places people at the center of the construction of knowledge. And the
Autobiographical Narrative was the way to tell my story, share the knowledge that
constitutes me, strengthening traits of my identity with awareness and formative
purpose.
To talk about the history of Umbanda and African-based religions, I spoke with
Cumino (2011) and Prandi (1989), two authors who are references in this area. And
when I reflected on the knowledge that comes from craftsmanship, I based myself on
the writings of the ceramist and educator Sonia Carbonell Alvares. The art educator
highlights how crafts have an ancestral dimension that strengthens social ties and
belonging for many people, especially those who are part of the same community,
such as terreiro people.
It is hoped that the results of this study will not only enrich the understanding of
Afro-Brazilian religiosity, but also promote a broader dialogue about religious
diversity and Afro-Brazilian culture. |
| author_additional |
Suzuki, Clarissa Lopes |
| author_additionalStr |
Suzuki, Clarissa Lopes |
| format |
Trabalho de Conclusão de Curso |
| author |
Ramos, Ângela Mourão |
| title |
A representatividade da umbanda através do artesanato de bonecas |
| title_short |
A representatividade da umbanda através do artesanato de bonecas |
| title_full |
A representatividade da umbanda através do artesanato de bonecas |
| title_fullStr |
A representatividade da umbanda através do artesanato de bonecas |
| title_full_unstemmed |
A representatividade da umbanda através do artesanato de bonecas |
| title_sort |
representatividade da umbanda através do artesanato de bonecas |
| publisher |
Brasil |
| publishDate |
2024 |
| url |
http://riu.ufam.edu.br/handle/prefix/8331 |
| _version_ |
1831970200088477696 |
| score |
11.755432 |