A arte como forma simbólica:
This academic research presents an analysis of the work Bastidores (1997), by Rosana Paulino. It is understood that the work forms meanings and definitions, based on the theory of symbolic forms, developed by the German philosopher Ernst Cassirer. Bastidores is a series of photographs of black wo...
| Autor principal: | Silva, Nathana Yara da Costa |
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| Idioma: | pt_BR |
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2023
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http://hdl.handle.net/11612/5526 |
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ir-11612-5526 |
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ir-11612-55262023-08-05T06:02:04Z A arte como forma simbólica: representações da mulher negra na obra Bastidores, de Rosana Paulino. Silva, Nathana Yara da Costa Rodrigues, Jean Carlos Raça Mulher Arte Símbolo Race Woman Art Symbol. CNPQ::OUTROS This academic research presents an analysis of the work Bastidores (1997), by Rosana Paulino. It is understood that the work forms meanings and definitions, based on the theory of symbolic forms, developed by the German philosopher Ernst Cassirer. Bastidores is a series of photographs of black women produced by printing photographs on fabric, in which mouths, eyes, forehead and throat were sewn/embroidered with dark thread, in a tangle of disordered stitches/traces. The research was characterized as a qualitative investigation, starting from an epistemological approach. The following topics were considered and, later, the following reference sources. As for the themes, there are: race, racism, racial democracy, representations of black women in art and the meanings and meanings that can be attributed to the work Bastidores. As reference sources: Nepomuceno (2013), Carneiro (2011); Gomes (2005); Neuza (2008); Cassirer (1994). Furthermore, the foundations of interdisciplinary social research of a qualitative nature were sought as a reference basis, touching on issues of culture and territory, using authors such as Cassirer (1994); Pigeon (2006); Haesbaert (2007); Bhabha (1998). As research contributions, it was highlighted that art, as a symbolic form, assigns meaning to the world and to the manifestations of human action (artist), as well as meanings and meanings to the artistic work produced by Rosana, in the work object of study of this academic research. This time, the work Bastidores, by raising several layers of possible readings, makes it possible to understand how the representations of black women, in this artistic work, permeate social discussions about racism, so violently present in social relationships. Esta pesquisa acadêmica apresenta uma análise sobre a obra Bastidores (1997), de Rosana Paulino. Entende-se que a obra é formadora de sentidos e significados, tendo como embasamento a teoria das formas simbólicas, desenvolvida pelo filósofo alemão Ernst Cassirer. Bastidores é uma série de fotografias de mulheres negras produzidas a partir da impressão de fotografias em tecido, em que bocas, olhos, testa e garganta foram costurados/bordados com linha escura, em um emaranhado de pontos/traçados desordenados. A pesquisa se caracterizou como uma investigação qualitativa, partindo de uma abordagem epistemológica. Foram considerados os seguintes temas e, posteriormente, as seguintes fontes referenciais. Quanto aos temas, se tem: raça, racismo, democracia racial, representações da mulher negra na arte e os sentidos e significados que podem ser atribuídos à obra Bastidores. Como fontes referenciais: Nepomuceno (2013), Carneiro (2011); Gomes (2005); Neuza (2008); Cassirer (1994). Além disso, buscou-se como base referencial os fundamentos da pesquisa interdisciplinar social de natureza qualitativa, tocando as questões de cultura e território, recorrendo-se a autores como Cassirer (1994); Pombo (2006); Haesbaert (2007); Bhabha (1998). Como contribuições da pesquisa, destacou-se que a arte, enquanto forma simbólica, atribui sentido ao mundo e às manifestações da ação humana (artista), bem como sentidos e significados ao trabalho artístico produzido por Rosana, na obra objeto de estudo desta pesquisa acadêmica. Desta feita, a obra Bastidores, por levantar diversas camadas de leituras possíveis, possibilita compreender como as representações da mulher negra, neste trabalho artístico, permeiam as discussões sociais acerca do racismo, tão violentamente presente nas relações sociais. 2023-08-04T13:00:30Z 2023-08-04T13:00:30Z 2023-08-04 SILVA, Nathana Yara da Costa. A arte como forma simbólica: representações da mulher negra na obra bastidores, de Rosana Paulino. 2021. 112 f. Dissertação (Mestrado) - Curso de Programa de Pós - Graduação de Estudos em Cultura e e Território, Universidade Federal do Norte do Tocantins, Araguaína, 2023. http://hdl.handle.net/11612/5526 pt_BR application/pdf |
| institution |
Repositório Institucional - Universidade Federal do Tocantins - UFT |
| collection |
RepositorioUFT |
| language |
pt_BR |
| topic |
Raça Mulher Arte Símbolo Race Woman Art Symbol. CNPQ::OUTROS |
| spellingShingle |
Raça Mulher Arte Símbolo Race Woman Art Symbol. CNPQ::OUTROS Silva, Nathana Yara da Costa A arte como forma simbólica: |
| topic_facet |
Raça Mulher Arte Símbolo Race Woman Art Symbol. CNPQ::OUTROS |
| description |
This academic research presents an analysis of the work Bastidores (1997), by
Rosana Paulino. It is understood that the work forms meanings and definitions, based
on the theory of symbolic forms, developed by the German philosopher Ernst Cassirer.
Bastidores is a series of photographs of black women produced by printing
photographs on fabric, in which mouths, eyes, forehead and throat were
sewn/embroidered with dark thread, in a tangle of disordered stitches/traces. The
research was characterized as a qualitative investigation, starting from an
epistemological approach. The following topics were considered and, later, the
following reference sources. As for the themes, there are: race, racism, racial
democracy, representations of black women in art and the meanings and meanings
that can be attributed to the work Bastidores. As reference sources: Nepomuceno
(2013), Carneiro (2011); Gomes (2005); Neuza (2008); Cassirer (1994). Furthermore,
the foundations of interdisciplinary social research of a qualitative nature were sought
as a reference basis, touching on issues of culture and territory, using authors such as
Cassirer (1994); Pigeon (2006); Haesbaert (2007); Bhabha (1998). As research
contributions, it was highlighted that art, as a symbolic form, assigns meaning to the
world and to the manifestations of human action (artist), as well as meanings and
meanings to the artistic work produced by Rosana, in the work object of study of this
academic research. This time, the work Bastidores, by raising several layers of
possible readings, makes it possible to understand how the representations of black
women, in this artistic work, permeate social discussions about racism, so violently
present in social relationships. |
| author_additional |
Rodrigues, Jean Carlos |
| author_additionalStr |
Rodrigues, Jean Carlos |
| author |
Silva, Nathana Yara da Costa |
| title |
A arte como forma simbólica: |
| title_short |
A arte como forma simbólica: |
| title_full |
A arte como forma simbólica: |
| title_fullStr |
A arte como forma simbólica: |
| title_full_unstemmed |
A arte como forma simbólica: |
| title_sort |
arte como forma simbólica: |
| publishDate |
2023 |
| url |
http://hdl.handle.net/11612/5526 |
| _version_ |
1787134882146680832 |
| score |
11.755432 |