A identidade tocantinense em narrativas da música regional
Cultural references are what characterize the groupings or nations; and the formation of nations is one of the criteria for assigning identity, which is ultimately the best negotiation tool between what one is and what one can be. Nation and identity are linked to customs, which are the culture o...
| Autor principal: | Lima, Paulo Roberto Albuquerque de |
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| Idioma: | pt_BR |
| Publicado em: |
2024
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| Assuntos: | |
| Acesso em linha: |
http://hdl.handle.net/11612/6772 |
| Resumo: |
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Cultural references are what characterize the groupings or nations; and the formation of
nations is one of the criteria for assigning identity, which is ultimately the best
negotiation tool between what one is and what one can be. Nation and identity are
linked to customs, which are the culture of the people. The major challenge of this study
is the search for discursive elements that can help in the formation of the identity of
Tocantins. To this end, it is assumed that some of the most important creators of the
local music make this speech. As the object of the research 24 works of six regional
narrators were chosen to understand the elements that regional music mobilizes around
the expression of the identity of this territory, in the light of the Critical Analysis of
Narrative proposed by the Brazilian theorist Luiz Gonzaga Motta. At the end, the most
relevant conclusion is that the composer of regional music of Tocantins remains in a
continuous effort to sing his own village. |