A representação alegórica da ditadura militar em “O Minossauro”, de Benedicto Monteiro: fragmentação e montagem
This Dissertation Representação Alegórica da Ditadura Militar em O Minossauro, de Benedicto Monteiro: Fragmentação e Montagem makes an analysis of the allegorical elements characterized by the fragmentation and assembly of the work, the narrative strategies of the author, and the relationship be...
| Autor principal: | NASCIMENTO, Maria de Fátima do |
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| Grau: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Estadual de Campinas
2018
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br/jspui/handle/2011/9925 |
| Resumo: |
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This Dissertation Representação Alegórica da Ditadura Militar em O
Minossauro, de Benedicto Monteiro: Fragmentação e Montagem makes an
analysis of the allegorical elements characterized by the fragmentation and
assembly of the work, the narrative strategies of the author, and the relationship
between the work and the social context of military despotism in Brazil in the
1970s. The theoretical studies were complemented by interviews – with Benedicto
Monteiro and other informers – that added important information to the
enlightenment and systematization of questions relating the author’s life and work.
The research found out – in O Minossauro, representative novel of the literary
production of the region of Amazonas in the 1970s – Flagrant presence of
allegorical elements (fragmentation end assembly) used in the narrative strategies
by the writers of this period. These characteristics range the novel of the writer
from Pará to his congeners of the 1970s. The importance of this novel is the fact
that Benedicto Monteiro dialogued with this shadowy period of the Brazilian history
and established a place: the state of Pará as a romantic character of the work,
object of this Dissertation. |