The research was interested in discussing museological theory beyond the walls of institutions such as museums. Reflecting on the acquisition, safeguarding, exhibition, and object theory, we sought to analyze a construction of private collections made up of objects that belonged to dead relatives. Based on this, it made a cut-off and exits deaths choices in critical events, in this case, linked to urban violence. Victims of the case known as Chacina de Belém were selected, an event that occurred in November 2014, resulting in a death of 10 people.
With the help of the Tela Firme group, a militant group in the neighborhood of Terra Firme, four of the 10 families that were victims of the Chacina were contacted. As interviewees, they lived in the homes of the interviewees and were recorded by the Cinematographic Experiments Nucleus of the UFPa Cinema course. Questions about the interviews focused on how the collections were formed. What did I keep? Why was it saved? How is it stored? Where is it stored? When is it accessed? How is it exposed? And other issues.
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